Game Spot Reviews

Some video game franchises seem destined for the mobile gaming scene, their format ideally suited for touchscreen controls or quick on-the-go gaming sessions. Bandai Namco's drum-pounding rhythm game Taiko no Tatsujin is the latest established franchise to make the jump to mobile, and it's a match made in heaven. Bright, colorful, and full of charm, Taiko no Tatsujin Pop Tap Beat will have you smiling from ear to ear as you tap tap tap away to its catchy soundtrack. It's just a shame that fun has such a short shelf life.

Pop Tap Beat follows the standard rhythm genre format: notes travel from one side of the screen to the other (in this case right to left), and you tap the screen when each one reaches a circle to score points. The closer to the circle the note is when you tap, the more in rhythm with the song you are and the more points you score. It's a simple system that's easy to understand and pick up even if this is your first time playing a rhythm game, making for a short learning curve and a longer focus on fun.

The gameplay loop offers incremental increases in challenge with each subsequent difficulty level, offering an experience that's challenging without ever feeling impossible. Notes come in two colors: red, which signals tapping the drum, and blue, which signals tapping around the edge of it. Higher difficulties will split the drum in half, meaning you not only have to pay attention to the color of each note but also keep in mind which side of the screen needs to be tapped. Pop Tap Beat mixes things up further with special notes, alleviating any monotony. These special notes include drum rolls with continuous tapping, golden drums for furious tapping, and balloon notes for a different kind of furious tapping.

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Over its 25-year history, the Resident Evil series has continually changed and evolved, like a mad scientist who injects himself with a questionable bio-weapon, mutating into something new every time he shows up. For the most part, those evolutions have been fascinating recombinations of elements as Resident Evil tries different mixes of survival-horror and action gameplay. With Resident Evil 7, Capcom swung for the fences with a first-person perspective, a narrower scope, and more horror-focused gameplay. Resident Evil Village evolves that idea to make something that feels very different from its predecessor, but which is just as engaging.

Though the perspective and mechanical underpinnings are the same, Village branches off in its own direction from RE7, capturing some of the things that were great about that game while resisting the impulse to retread the same ground. While it's still frightening at points, it takes a less horror-driven tack on the same underlying first-person formula. Village continues to evolve Resident Evil while maintaining a keen grasp on some of its core tenets, finding new ways (or reviving old ones) of getting under your skin and ratcheting up the tension.

As has been pretty clear for a while now, Resident Evil Village is Resident Evil 7 through the lens of Resident Evil 4. When the latter was released way back in 2005, it significantly revamped what the franchise had been up to that point, swapping the earlier games' slower, survival-horror focus for a more fast-paced action approach. RE4 was scary because you were being overwhelmed by enemies, backed into corners, and chased by madmen wielding chainsaws. It traded darkened corridors and jump scares for adrenaline-fueled panic.

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The enemy outnumbers us two-to-one and reinforcements are still days away. The raucous Gaul army is at our gates, baying for blood; each enemy soldier is coated in white and blue war paint and a select few operate battering rams that'll plough through our modest wooden defenses in a matter of minutes. The scent of death is in the air and we've got no choice but to stand our ground and fight. "One of you is worth any number of them," bellows our general, shattering the tense silence with an impassioned war cry. "We face adversity, a band of brothers, dedicated to the warrior's code of strength and victory," he continues, rallying the troops. "But we will never know defeat while we stand together! This day we add another triumph to the history of our people! We will be honored as men!"

Whether you go on to achieve victory or succumb to overwhelming odds, moments like this are part of what made Rome: Total War such a beloved strategy game when it launched in 2004--and why its popularity still persists today. It put Total War on the map and laid the groundwork for what has since become a blockbuster series in the strategy genre. With Total War: Rome Remastered, developer Feral Interactive has updated Creative Assembly's seminal title by overhauling the visuals and adding a number of quality of life improvements that make it slightly more appealing for modern sensibilities. Under the hood, however, this is still very much the same game as it was back in 2004, for better or worse.

Total War: Rome Remastered hasn't messed with this engaging setup, although you can now play as the other 15 factions without having to unlock them first--unless you'd prefer to do it the old-fashioned way by defeating each faction during the campaign as one of the Romans. When it comes to upgrades, the most obvious ones are visual, with improved lighting and more detailed terrain making both the battlefields and world map pop with added vibrancy. Environments are still overly sparse, which does make battles fairly lackluster to watch unless elephants are hurling soldiers 30 feet in the air, and the updated units aren't nearly as impressive either, falling some way short of the graphical fidelity we're used to seeing in modern Total War games. As a trade-off, however, Total War: Rome Remastered does feature an experimental "Extreme" setting for unit sizes, allowing you to partake in chaotic battles with an overwhelming number of forces, provided your hardware can handle it. Though loading times are still lengthy no matter which unit size you choose--even if you're running the game off an SSD--which can make the campaign fairly laborious at times.

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You might be relieved to learn Turnip Boy Commits Tax Evasion isn’t really about avoiding your financial responsibility to society. There’s no book-keeping, no audits, no lurking threat of a visit from the IRS. Instead, the act of tax evasion is a mere prelude, an unlikely catalyst for a rollicking and increasingly silly pastiche of the action/adventure genre.

Less concerned with ripping off fellow citizens and more with pilfering tropes from the Legend of Zelda, Turnip Boy is shameless about the source of its obvious inspiration. Within minutes from the start of the game, the village elder has dispatched you on a quest and you’ve retrieved a mystical sword from a sun-dappled forest grove. But it borrows and parodies familiar elements with an affection and exuberance that sweeps you along in a giddy rush for the entirety of its short but sweet duration.

Gallery

With Turnip Boy’s fiscal failure exposed in the opening scene, the town mayor channels Tom Nook by setting a quest that will allow you to pay off your debt and eventually inherit the family home. His demands are ludicrous from the get-go and seemingly untethered from your ultimate goal. But rather than leaving you annoyed at having to run some pointless errands, each new task only compounds the absurdity in amusing new ways. Really? That’s why you needed a laser pointer? You’ve got to be kidding me.

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Returnal is a hard game to pin down. On the one hand, it is very much a pastiche of existing game genres: Play one run and you will see how it very clearly draws elements from roguelikes, Souls-likes, metroidvanias, action-platformers, bullet hell shooters, and horror games. But while it borrows from all those genres, its unique flow ensures that its chaotic shooting galleries and creepy storytelling feel decidedly new. A shifting, but not jarring pace, an unpredictable narrative, tough-as-nails gameplay, and a constant sense of ambient terror--Returnal's many moving parts coalesce into a rare shooter that grabs you with its mechanics and its story and never lets go, seducing you with its challenges and a foreboding sense of dread every step of the way.

When you start Returnal, interstellar scout Selene Vassos crash-lands on an alien planet, Atropos, which is broadcasting a mysterious signal. Stranded, Selene makes some startling discoveries on the planet, including the game's titular trait: When she dies, Selene "returns" to the site of the crash, seemingly unharmed. To explain much more would give away too much: You want to know as little about Returnal and its story as you can going in.

Yes, "return" is in the name, which is a not-subtle-not to Returnal’s run-based structure. It falls into the broader definition of a roguelite--Selene starts each run from the crash site but holds a few key upgrades and one of two in-game currencies from run to run. Everything else, including her weapon, "artifacts" that provide passive upgrades, and consumables like healing items disappear with each death. Selene wanders through the procedurally arranged and populated landscapes of Atropos hoarding gear, upgrading her health and weapon level (called proficiency), and gunning down the planet's strange-looking, tentacle-wiggling creatures, all of which want you dead.

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The Nintendo 64's Pokemon Snap has held a special place in my heart for over 20 years, partially because there's nothing else quite like it in the Pokemon franchise. Pokemon Snap has nothing to do with catching or battling with Pokemon, and humans aren't at the heart of its story. Instead, Snap has always been about the joy of discovery and uncovering the secrets of the Pokemon world without interfering with it. Its long-lasting charm has stemmed in part from emulating one of the greatest joys of photography: witnessing and capturing moments it felt like you weren't supposed to see, like a group of Charmander performing a synchronized dance inside a volcano. 20 years later, that same charm and mystique is present in New Pokemon Snap on Nintendo Switch. With even more courses and Pokemon to discover, New Pokemon Snap is a brand-new adventure that's absolutely delightful to embark on, incorporating newer generations of Pokemon and stunning environments that feel truly alive.

Like the first game, New Pokemon Snap opens with you, a budding photographer, joining up with a Pokemon professor to snap some photos for his research. The mystery at the heart of the game is quickly introduced--Professor Mirror is investigating a strange Illumina phenomenon that's causing some Pokemon in the Lental region to glow, and you're here to catch it in action and discover its source. This sets up an overarching story--something that wasn't present in the first game--that slowly unfolds as you explore each island. The story itself isn't particularly deep and feels somewhat half-baked, but having the narrative reasons for continuing to explore each island does help progression feel natural and well-paced. Charming voice-acted cutscenes with Professor Mirror and the research team help draw you in and add to the overall presentation.

What you're really here for, though, are the new courses, which you explore in a pod-like vehicle known as the NEO-ONE. These take you through all sorts of natural Pokemon environments, from thick jungles to vast deserts and underwater caverns. Though some of them are thematically similar to courses that were present in the 1999 game, such as the beach level, New Pokemon Snap also takes you to brand-new environments. These feature a mix of Pokemon from all eight generations existing in their natural habitats. Each environment is full of life, with something happening in nearly every direction you look--it's almost a sensory overload the first time you load up a course. The thrill of discovery is still at the heart of its gameplay--that incredible feeling of spotting your favorite Pokemon out of the blue and snapping about 20 quickfire shots of it that all turn out terrible because you were just so excited and weren't ready for it. Whether you're photographing a Pokemon that burst out in front of you or zooming in to take a shot of one that's hidden in the distance, the sense of wonder and constant anticipation of what you'll see next in New Pokemon Snap is exhilarating.

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If Nier: Automata was about discovering your humanity in a world devoid of life, Nier Replicant is about a world desperately fighting to preserve what humanity it has left, and often failing to do so. Those you fight for, fight with, and fight against--and you, the protagonist--all have a stake and responsibility in the plight. There's an ever-present melancholy that hangs over the violent world of Nier, and the more you fight on, the more you understand just how tragic human life can be. It's tempting to wallow in sorrow, but once you've seen Nier Replicant's conclusions in their entirety, you'll come to cherish its moments of warmth as well.

For better or worse, Nier Replicant preserves much of the original experience from its 2010 release (based on the Japanese version with the brother protagonist as opposed to the Western release's father lead). The story, characters, scenarios, and structure remain intact, and this remaster includes some significant gameplay and visual improvements in addition to an essential piece of new story content that expands the original narrative. This is an action-RPG with slick combat, reminiscent of Automata, but suffers from the antiquated design philosophies it adheres to. However, Nier Replicant is here to make you feel something, and it does so in a fashion very few games can pull off.

Series creator Yoko Taro has a penchant for toying with player expectations, saying just enough to lead you on before hitting you with wild revelations that leave you sinking in your seat. It was Nier's strongest suit back in the day, and still is with this remaster. The game starts off in a modern-day Tokyo that's been destroyed and invaded by ethereal creatures called Shades, then thrusts you over 1,000 years into a future medieval civilization that's barely scraping by. Both the protagonist and his sister Yonah are almost exactly as they were in that mysterious intro, seemingly unchanged by the passage of time. So right from the jump, questions start to fill your head, and the desire for answers grows increasingly urgent as you press on.

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Plenty of games ask you to tweak the brightness or take a moment to scale the resolution to fit your screen before you begin playing. But Before Your Eyes is the only game I’ve played that asks that, before you start, you take a moment to do pretty much the same thing for your eyes. It’s strange, sure, but it helps set the tone for the wonderfully weird and moving adventure that you will help unfold across its impactful 90-minute runtime using nothing but a mouse, your webcam and voluntary and involuntary blinks.

That initial calibration is crucial for gameplay reasons, too. In this first-person narrative game, time moves forward each time your webcam sees you blink, so it’s imperative that the game can accurately detect when you’re actually blinking. To that end, Before Your Eyes presents you with a series of empty circles that fill in white as you blink. If it misses some, you can up the sensitivity and if it records blinks when your eyes are actually open, you can tell it to ease up. Like mouse sensitivity, but your peepers are the mouse.

It’s a memorable introduction to a game, and reminded me of the heady days of Nintendo’s mid-aughts experimentation; a time when you might be asked to blow into a microphone, or twist your Game Boy Advance like a steering wheel, or swing your Wiimote like a golf club. From this distinct starting point, high concept mechanics meet an equally high concept narrative.

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MLB The Show 21 has made headlines this year for what it's done off the field of play. In an unprecedented move, the Sony-developed title is now available on Microsoft consoles, signalling the end of 15 years of PlayStation exclusivity. It's a monumental shift for a series that's also making its debut on next-gen consoles, and MLB The Show 21 maintains the series' high bar of excellence once the ball's in play. Away from the diamond, however, there are a number of missing features and questionable decisions that take some of the shine off an otherwise fantastic game of baseball.

The card collecting mode, Diamond Dynasty, is the basis for most of these dubious decisions, particularly in regards to Road to the Show (RttS). MLB The Show 21's career mode still revolves around the core idea of creating a player and taking them from the minor leagues through to the majors, but the structure of the mode has been significantly reworked. Your created Ballplayer is now a single unified entity that functions much like the NBA 2K series' MyPlayer. This Ballplayer, with all the improvements you make to their attributes, also carries over into Diamond Dynasty, where they can be inserted into the starting lineup alongside current players and legends of the sport. It's a solid idea on paper, but the execution severely hampers RttS in a few major areas.

For one, having a single Ballplayer limits your options since you're unable to create more than one distinct character. You can still create multiple saves to make characters who play in different positions, but you're stuck using the exact same player in each. On top of this, there's also a new loadout system that allows you to create multiple custom loadouts. Each one features one main archetype and up to two perks that improve certain attributes while slightly decreasing others. This change appears to be geared towards another new addition, which gives you the option to play as a two-way player similar to Shohei Ohtani. For games when you're hitting and playing the field, you might select a loadout with perks based around improving your contact, power, and arm accuracy; on days when you're pitching, you might opt for another loadout with pitching-centric perks.

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This review has been updated to include the experience of playing DIsco Elysium: The Final Cut. The additional review text that addresses the new version of the game is included at the bottom of the review as its own section.

Memories can be painful. Recalling them can result in feelings of regret, anger, shame, embarrassment, and worse. Much, much worse. In Disco Elysium, a mesmerising, hilarious and at times harrowing narrative-heavy RPG, recollecting a memory can prove fatal. For an amnesiac, alcoholic cop struggling with a new murder case with elusive details, and the world's worst hangover, remembering the person he was offers a path to redemption for the person he might become. After all, memories that don't kill you make you stronger.

Disco Elysium presents as an RPG in the mold of Baldur's Gate or Divinity: Original Sin. Indeed, it opens with a nod to Planescape Torment with a semi-naked figure lying on a cold, hard slab before slowly rising to his feet--only the slab isn't in a mortuary, it's in a cheap motel room, and the figure wasn't recently dead, he's just still drunk. Very, very drunk. It proceeds with the traditional top-down view of the world, your party members traversing beautiful, hand-painted 2D environments, pausing to inspect objects and talk to people. There are quests to initiate, experience to gain, levels to up, dialogue trees to climb, and skill checks to fail. Yet in all kinds of other ways--thematically and mechanically--Disco Elysium is very unlike other RPGs.

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Oddworld: Soulstorm has been a long time coming. A direct sequel to Oddworld: New 'n' Tasty, Soulstorm is a loosely drawn reimagining of the second Oddworld game, Abe's Exoddus. Soulstorm looks shiny and PS5-new, with beautifully detailed characters and vast sweeping landscapes in its backgrounds, but it has an old soul. Soulstorm's stealthy platforming feels like a throwback: It's unlike any game I've played in a long time, and that's refreshing. But with old-school gameplay, Soulstorm retains some archaic design choices that feel outdated in 2021. The pain from those choices is accentuated by the game's many serious technical issues, which can blow even the most carefully played sequences at the drop of a hat. Soulstorm has a lot of heart, but its poor tuning makes it a bit of a slog.

Like its predecessors, Soulstorm puts you in control of Abe, a now free slave with the ability to take control of his former captors using a special chant. Each level strings together a gauntlet of side-scrolling stealth-platforming puzzles. As Abe, you'll sneak across each stage, jumping across platforms to dodge traps while avoiding conflict as much as possible. All the while, you're searching for your fellow Mudokons, Abe's species of lanky green Oddworlders, most of whom are still slaves in factories and mines. Staying out of harm's way requires careful planning and timing. Like many stealth games, you're carefully monitoring guard movements and vision cones to find the perfect moment to move from one hiding spot to the next, or to dispatch a guard. There's a tense, nail-biting thrill to maneuvering your way into and out of danger.

Though stealth factors into most areas, there are also a fair number of pure platforming sequences. Dodging flamethrowers, buzzsaws, spikes, and other dangers is also often a matter of getting the timing right. Soulstorm's best platforming sequences feel more puzzle-like than a reflex test, balancing time pressure and a need to methodically feel your way through whatever lethal obstacles it throws your way.

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First released in 2005, Star Wars: Republic Commando acted as many a young Star Wars fan's initial introduction to the concept that the clone troopers of the prequel trilogy are human beings--creating unique identities for the seemingly identical soldiers. Republic Commando has a strong legacy among Star Wars fans--despite the game's removal from the official canon, it remains a key part of the Star Wars universe, especially when it comes to video game entries.

Handled by Aspyr Media, Star Wars: Republic Commando Remastered brings the original 2005 Xbox and PC game to PS4 and Switch with enhanced HD graphics and modernized controls, though the multiplayer is absent. Otherwise, it's the same game. And though the flaws in its gameplay are only more noticeable now 16 years later, this remaster manages to still deliver a compelling story of four specialized commandos engaging in a variety of combat missions across the Clone Wars.

Squad Up

In Republic Commando, you play as RC-1138 aka "Boss," commanding sergeant of a specialized commando unit trained to take on missions that require a greater level of skill and cognitive ability than standard clone troopers possess. Your unit, Delta Squad, is also composed of sarcastic demolitions expert RC-1262 aka "Scorch," by-the-books hacker and technical analyst RC-1140 aka "Fixer," and morbidly grim sniper RC-1207 aka "Sev." The game takes place over several locations, beginning with an assignment on Geonosis at the end of Attack of the Clones and concluding on Kashyyyk just prior to the events of Revenge of the Sith.

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In the center of Balan Wonderworld's hub area lies the construction site of a clock tower. Complete the 12 worlds--the entry points to which are arranged at random around the tower like dial markings on a jumbled clock face--and the clock tower rises further into the sky; an elaborate contraption that stands as a monument to your hours played. Despite a thematic preoccupation with telling the time, Balan Wonderworld feels like something of an anachronism, a throwback 3D platformer whose occasional charms arrive too late.

Balan Wonderworld makes a terrible first impression. It's a 3D platformer where the primary act of running around the levels feels sloppy. Swapping character costumes to employ new abilities is the key novelty, but the initial batch of costumes fail to inspire, and instead add the sorts of abilities you'd take for granted in any other platformer. Completing the early game doldrums, you're dropped into levels without context nor any attempt to explain your goals.

The clumsy controls and character movement are the most persistent problem. There's a weird dissonance in the way it feels like you're moving too slowly while the choppiness of the simplistic animation gives the illusion of moving too quickly. Your character will float slightly above the ground even when standing on a flat surface. Jumping and judging distance feels sloppy and imprecise, mostly thanks to a stickiness of movement but also because, from time to time, the useful ground shadows cast by yourself and other objects will simply disappear. To put it kindly, mistiming or failing to land a jump doesn't always feel like it's your own fault.

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Outriders is a game that isn't defined by big new ideas, but rather a variety of familiar elements mixed together in experimental ways. It's a role-playing game with loot-shooter elements; it's a serious, dark sci-fi outing with a big dose of goofiness and humor; it's a cover shooter that demands you rush out and smash enemies with your ludicrously lethal magic powers. Whether this mixture works for you will determine how much you'll enjoy exploring the war-torn planet of Enoch and the last desperate vestige of humanity clinging to life there.

Outriders blends well-known video game elements into something new and challenging, and while it takes itself seriously, it isn't self-serious. The world of Enoch seems huge and strange, and while the game is literally about the last gasp of the human race that has ripped itself apart, its heavy themes are always lightened up by a general blockbuster goofiness and characters defined by their gallows humor. Your place within it is as an accidental superbeing with space magic powers, and you're mostly just annoyed that irritating people are wasting your time with their gopher chores. It's a fun, self-aware fit.

Though Outriders looks like a live game of the loot-shooter persuasion, it's actually much more Mass Effect 3 than Destiny 2--like Mass Effect, RPG progression and cover-shooting are more the engine of the game than chasing the next new gun. Outriders is, in fact, a cover-shooter RPG with a hearty dose of gear progression, leaning heavily into an epic story told with tons of dialogue, cutscenes, character interactions, and collectible lore.

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Building a criminal empire isn't all fun and games, you know. In Evil Genius 2, the sequel/reboot of the 2004 cult classic strategy game, running a casino and super-secret volcano lair with a doomsday device takes vision… and the ability to manage an army of minions. It's a management sim that requires careful planning and timing; you need to build a base that runs like a well-oiled machine that can mint the resources you'll need to conquer the globe. To succeed where every Bond villain has failed, the base needs to double as a labyrinth of wild traps like shark pits and laser walls that can keep nosy secret agents from bringing too much heat down on you. Though aspects of the game can feel like they're at cross-purposes from time to time, Evil Genius 2's goofy, lighthearted vision perfectly captures a cartoony retro spy vibe that lets you revel in pretending you're the ultimate evil boss.

Taking advantage of nearly 20 years of technological advances since the original, Evil Genius 2 makes good on the promise of making a Bond Villain simulator. The art, music, and style channel the cartoon camp of ‘60s and ‘70s spy movies and TV. In cutscenes, the Genius banters with rival villains and super spies or berates his minions, who maintain a sheepish, aww-shucks attitude. All of this paints the Genius' rise to power as a fun, free-wheeling romp. The swanky lounge soundtrack, punctuated by dramatic musical cues likewise feels like it's pulled out of the early-era Bond that permeates every pore of the game.

The '60s and '70s spy-movie vibe permeates every aspect of Evil Genius 2 to great effect.

You can feel it most acutely in the characters. Though you are the mastermind, there are actually many Evil Geniuses. At the start of the game you can choose one of four to be your avatar. From the gold-obsessed Maximilian to the metal-armed Russian General Red Ivan, the geniuses all have the larger-than-life international crime syndicate boss look and feel. You can also recruit "henchmen," unique lieutenants with similar powers and Bond villain personas. Lastly, each region of the world has a singular Super Agent who can disrupt your base pretty handily and deliver some of that crucial hero-villain banter.

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For all its automated systems, Loop Hero can be incredibly stressful. Battles play out without any input from you, navigation loops over a predetermined path, and resources are collected for you, but that doesn't mean you can take your eyes off the battlefield for even a second. This captivating mix of familiar genres demands constant attention, testing your ability to think well into the future when making your moves. It's a riveting balance of risk and reward wrapped in a deviously challenging roguelite that will tempt you into pushing forward for just one more round.

Loop Hero is a distinct mish-mash of multiple genre ideas, none of which influence gameplay enough to easily classify the overall gameplay experience. Loop Hero is primarily a run-based role-playing game in which you indirectly control a hero through procedurally generated loops. Instead of controlling the hero's movements, you mainly control what they encounter by placing objects on the loop that create the world--things like cemeteries that can spawn skeletons, villages that can heal you, or swamps that generate nasty mosquitos. These are provided by cards that you draw from a limited deck which you can edit between runs, letting you curate each one to a degree. And while your hero automatically navigates in circles and resolves fights with enemies without any inputs, you also manage their inventory carefully to deal with the increasing challenges that each new round trip brings.

Instead of controlling the hero's movements in Loop Hero, you control what they encounter on the loop.

Ultimately, Loop Hero challenges you to balance risk and reward by keenly considering all the options your current cards give you to make your next loop challenging, but not deadly. Each run is an opportunity to gather resources you use to expand your camp in the hub world, unlocking new cards, classes, and abilities to use on subsequent runs. Enemies drop specific resources that you'll need to further progress outside of each expedition, giving you incentives to place multiple groves for wild, mutated dogs or dimly lit houses that can spawn bloodthirsty vampires on tiles around them. With each new addition to the loop, you're also extending the time it takes to make a trip around it, which directly affects spawn rates of enemies that are tied to a persistent day-night cycle. While a tile might seem harmless when it's only adding one enemy to the loop every day, it can become dangerous when the route is stuffed to the point where an entire group might be waiting the next time you make it around again.

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In It Takes Two, you fight the kind of common, red toolbox that might be sitting in your garage, or your parents' garage. It's one of the best boss battles I've ever played.

In the level leading up to this, co-op protagonists Cody and May learn to chuck nails and wield a hammer head, respectively. Cody can shoot nails into wooden surfaces; May can use the hammer to swing on those nails. Cody can nail moving platforms in place; May can hop onto those platforms, or wall jump between vertical surfaces that Cody can position via strategic nail shots. Eventually, he gets three nails to throw instead of one, leading to some excitingly frantic platforming.

The boss fight that closes this level uses those abilities in concert. Cody and May stand on a plywood platform, facing off against the toolbox. It can swing at them with bolted on plywood arms, which the duo needs to dodge. To deal any damage, Cody has to pin its long, wooden limb to a wall with his three nails, allowing May to swing over and smack its tinny body. As the fight proceeds, the toolbox shoots nails into the air which hurtle down at the plywood platform, a platform which gradually shrinks as the toolbox uses a handsaw to whittle it down to a nub with strategic cuts.

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We don't see enough Chinese legends and folklore explored in Western games, which is what makes the pitch for Immortals Fenyx Rising's second expansion, Myths of the Eastern Realm, so exciting. Developed by Ubisoft Chengdu, the DLC moves Immortals' open-world structure from Greek to Chinese mythology. But while its open-world fundamentals are still solid, the Chinese mythology that defines its aesthetic is more of a coat of paint than an imaginative look at a new realm.

Myths of the Eastern Realm wastes no time getting you up to speed. After a brief explanation of how chaos threatens to upset the balance of Heaven and Earth and how a mysterious force has wiped out most of the world's gods, new hero Ku wakes up inside a cave filled with his compatriots, who've been turned to stone. The legendary Bu Zhou mountain has erupted and caused the emergence of the Scar, a powerful primordial force reverting the world back into chaos. The premise is almost identical to the base game's, and that ends up being true of the rest of the expansion: The two new islands that make up the DLC's Mortal Lands are hard to distinguish from the Golden Isles from the original game, even if the buildings and foliage are pulled from Chinese history.

Immortals Fenyx Rising: Myths of the Eastern Realm DLC captured on PC

Immortals' main loop, in which you search for a nearby mountaintop, tag a bunch of icons so they appear on your map, then hunt them down until you decide to progress the story, is identical. That's not necessarily a bad thing, since it was a good loop the first time around. But solving a new round of puzzles and checking icons off on a map lost its allure much more quickly in this DLC--Myths of the Eastern Realm just doesn't have much to keep that loop interesting. Unlocking my glide ability, clearing out vaults (now called gateways), and grappling enemies isn't as fun because Ku plays exactly like Fenyx, and I'm disappointed he doesn't have any new abilities that change how you explore or interact with the world a second time through. The fact that your skills are now called the Blades of Huang Di and Pangu's Strength instead of Ares' Wrath and Herakles' Strength does little to hide that.

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Doom Eternal: The Ancient Gods Part 2 is a workout for your hands.

That isn't a result of inaccessible controls; with this DLC, id Software has added the option to fully remap console controls. Even with that flexibility, after a few hours with the new DLC expansion to the 2020 shooter, my palms and knuckles begin to ache. I'm playing on PS5, and the DualSense is a beefy controller. The Ancient Gods Part 2 pushes you to use every square inch of it. There are a lot of demons to kill here and with Ancient Gods Part 2, id Software has given us the Doom Slayer's most expansive arsenal of weapons to do so yet. Far from being just a set of three new levels, Doom Eternal: The Ancient Gods Part 2 introduces multiple new enemies, a new traversal mechanic and a new weapon, all of which alter the flow of battle for the better.

I had my frustrations with The Ancient Gods Part 1, most stemming from the introduction of new enemies (like the Blood Maykr and the Turret) that required pinpoint accuracy to eradicate, which had a tendency to slow fights to a crawl. But The Ancient Gods Part 2 thankfully leans back in the other direction. One new addition to the bestiary, the Cursed Prowler, can (as the name suggests) curse you if it manages to land a hit with its projectile attack. To break the curse, you need to kill the Cursed Prowler. Simple enough. But this durable creature can only be killed with a Blood Punch. And, if you don't have a Blood Punch ready, you'll need to Glory Kill other monsters to build your meter up. So, instead of rooting you in one spot with your eye to the scope, the Cursed Prowler encourages you to dive into the fray. It can be frustrating to get hit with a curse and begin losing health in the middle of a tough battle, but it's a change for the better: one toward frenetic movement and away from the occasional aim-down-sights inertia of the first DLC.

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Editor's note: At the time of publishing, we still need to play more of Monster Hunter Rise's multiplayer. This review will remain in progress until we're able to do that at launch. Stay tuned for the final review in the coming days.

The locations you explore in Monster Hunter Rise have already felt the delicate touch of humanity's hand. Traditional Japanese torii can be found weaving through mountainside paths, leading to sacred shrines, while decaying temples have been reclaimed by nature as local plant life envelops the aging architecture. Signs of human life can even be found at the base of a raging volcano and in the midst of a flooded forest, where a Mesoamerican-style pyramid dominates the landscape.

If 2018's Monster Hunter World was all about unearthing a new continent as an intrepid frontiersman, then Rise is a triumphant return to the Old World with valuable lessons learned. An enhanced port of the 3DS title Monster Hunter Generations Ultimate may have already graced the Nintendo Switch, but Rise is the first game in the series built from the ground up for Nintendo's latest console. As such, Rise closely follows in the footsteps of World while reneging on some of its changes and introducing plenty of new impactful ideas that excellently shift the focus towards the series' heart-pumping action.

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